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DMAS Design [SPDIF-Optical]

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Joined
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Here is a SFX digital filter (I got the idea from ferrite beads), it attenuates frequencies beyond the set value, which is set to 22kHz. Human hearing range is 20Hz-20kHz so 22kHz is above.
Digital sample rate divided by two, equals the maximum frequency it can represent (without aliasing), 44.1 = 22.5kHz, 48 = 24kHz audio frequency.

In an ADC situation (analogue to digital), if a DMAS was to support analogue, an analogue filter would do a similar job.
Oversampling allows the higher frequencies to be captured, then removed (down sampled).


Technically speaking, in 32 bit float terms, the attenuation should amount to 'silent aliasing' if any occurred.

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Here is something else similar to my DMAS design, except the DMAS speakers have their own individual P-DAC, it does focus on lossless audio and bitperfect audio data.
Personally I feel the unit is potentially over priced, considering it doesn't seem to do multichannel. It can be updated via firmware updates.

It uses TOSLink and advertises < 0.001% THD (lower than, distortion), 2 Ohms balanced (see the specs sheet).

https://ecdesigns.nl/product/powerdac-sx/

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Not as flexible as the DMAS, as the programmable SFX, MFX and EFX processing points can be used in various ways, including SFX lookahead and MFX or EFX application.
AVR these days also use 32 bit (not float unfortunately) digital processing, but then a 24 bit DAC, in better cases a 32 bit DAC, but still an amp.

The DMAS (Digitally Managed Audio System) is fully digital right up to, into, the speaker, which is essentially a digital speaker.

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DMAS note, since there is no DAC or analogue amp, the number of channels is limited by input, processing, power supply + physical combo modules (per speaker).

DMAS.png
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Reiteration of [Digital] Class-D, which is what a P-DAC essentially is:

Class-D.png

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Expensive headphones plugged into random DAC's will produce random quality, built in converter will produce constant quality.

 
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